
À propos de moi.
Matias Casal, born in Argentina and better known as SKRYPTION, decided 4 years ago to move to Europe and make Madrid his headquarter. Skryption is a young talent passionate about techno and hard techno. He is a resident artist at Blackworks, currently one of the most important world- class Hard Techno parties. With his new alias and sound, he has not stopped working, releasing tracks on labels such as Luca Agnelli’s Etruria Beat, as well as Reckless, Blackworks, Gomboc and Falsive Records. As an artist and producer, in recent months he has been supported by artists like Amelie lens, Kobosil, Dax J, 999999999, Shlomo, Paula Temple, SNTS.
Tracks & Live Sets.
Événements en Vedette.
Galerie.
Articles de presse.
Wololo Sound entrevista a Skryption
Tras el crecimiento de Blackworks y el suyo personal ya era hora de poner el foco en él. Skryption es un dj y productor tan talentoso como cercano y eso en Wololo Sound nos encanta. En esta entrevista le conoceremos un poco mejor, desde sus inicios como DJ, hasta el flamante Blackworks Festival de hace unas semanas. Pasando, claro, por su relación con Dexphase (el creador de dicha promotora), sus inspiraciones y sus proyectos de futuro. Apuntad su nombre porque va a dar mucho que hablar. Sin más dilación, él es pieza clave de Blackworks y una de las mayores promesas del techno nacional. Él es, ¡Skryption!
Skryption: “The key is finding balance & not losing sight of what truly matters”
Matías Casal, the Argentine producer known as Skryption, has emerged as one of techno’s most compelling voices since making Madrid his home four years ago. A resident artist at Blackworks parties with releases on labels like Etruria Beat and Reckless, Skryption has garnered support from techno’s elite, including Amelie Lens, Kobosil, and Paula Temple. Now, he’s elevating his career with the launch of his own record label, BLADE DIVINE, a clothing collaboration with NXBO, and a complete artistic rebranding that showcases his signature blend of melodic and hard techno.
Tech Rider.

